“This was a great way to reach audiences who may not have felt comfortable exploring classical music or any music that’s new to them, “ Gregg notes. “Opera on Tap has always brought opera to bars, pubs, community spaces, basically (anywhere) outside the concert hall. This is an extension of that and just may intrigue folks enlighten to come see what the fuss is about when we meet again in person.” Emmy and Harry's Streaming Cabaret Club by Joanie Brittingham, Classical Singer Magazine Summer 2020

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"The Emerald Tablet deploys various older forms — a baroque bassline here, a Handelian anthem or medieval carol there —each well suited to the lines it accompanied. As in the quartet, the performers excelled, especially Gregg." - Oregon Arts Watch on The Emerald Tablet​

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"The famous Flower Duet between Lakme and Mallika was one of the high-points of the performance. The two singers wove their melismatic lines together dexterously and Gregg's mellow mezzo-soprano voice blended soothingly with Farnsley's ringing tone."

Boston Performing Arts Examiner on Lakmé

 

"As the scorned Ottavia, Sadie Gregg’s amber-toned mezzo-soprano sounded strong across her full range."

Boston Classical Review on L'incoronazione di Poppea

 

"Gregg allows us to see the demure, the flirtatious, and the honest in Cinderella through her softest gesture and slyest glance."

My Entertainment World on Cinderella

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